Diana Rumrill, PT. Physical therapy & more for musicians
September 27, 2009

Pedro de Alcantara: Author, Cellist, Alexander Technique Teacher

Pedro de Alcantara

Pedro de Alcantara


Cellist Pedro de Alcantara is the author of Indirect Procedures: A Musician’s Guide to the Alexander Technique, published by the Oxford University Press and translated into French, German, and Japanese; The Alexander Technique: A Skill for Life, published by Crowood Press; and the novels Befiddled and Backtracked, published by Delacore Press (an imprint of Random House). His new book, Integrated Practice: Coordination, Rhythm & Sound will be published in the summer of 2010. Pedro has been a certified Alexander teacher since 1986. He lives in Paris, France, and travels the world giving workshops and master classes.

Recommended resources:
Stanislavski, BUILDING A CHARACTER
Keith Johnstone, IMPRO: IMPROVISATION AND THE THEATER
Feynman, SURELY YOU’RE JOKING, MR FEYNMAN
Pedro de Alcantara’s blog

August 30, 2009

Susan Bruckner, Piano Teacher


Susan Bruckner

Susan Bruckner

Susan Bruckner is a pianist and teacher with degrees from the Eastman School of Music, the New School for Music Study founded by Frances Clark, and the San Francisco Conservatory. She has done extensive research on learning styles and brain research pertinent to musicians and is author of the book, The Whole Musician. She is a clinician at the annual Healthy Musician Institute at Ithaca College and frequent lecturer on these topics in the U.S. and abroad. She is co-founder and director of the Bach Academy in conjunction with the Carmel Bach Festival in CA. Susan is head of the piano department at Cabrillo College and formerly at the University of Utah, Ithaca College, and Diablo Valley College.

Recommended resources from Susan:

Joseph O’Connor – Introduction to NLP
Robert Jourdain – Music, the Brain and Ecstasy
Richard Restak – Mozart’s Brain & the Fighter Pilot
Antonio Damasio – Descartes’ Error
Dilts, Hallbom and Smith – Beliefs – Pathways to Health and Well-Being
Daniel Levitin – This is Your Brain on Music
Oliver Sacks – Musicophilia
Eloise Ristad – A Soprano on Her Head
Michael Grinder – www.michaelgrinder.com (books & workshops on teaching)

August 28, 2009

Dr. Preeti Raghavan, Researcher


Dr. Preeti Raghavan

Dr. Preeti Raghavan

Preeti Raghavan, M.D., joined the faculty of the Department of Rehabilitation Medicine at Mount Sinai Hospital in New York City in 2002. Her clinical interests include the treatment of individuals with brain injury, and the rehabilitation of neurological and orthopedic disorders. Her area of specialty is the rehabilitation of motor control in the upper-extremity in individuals who have had a stroke.

She is funded by the National Institutes of Health, and runs the Motor Recovery Research Laboratory at Mount Sinai. The long-term goal of her research is to understand the mechanisms underlying the recovery of voluntary motor functions in brain-injured patients in order to design effective therapeutic strategies to facilitate motor recovery. Her present research investigates the recovery of hand motor control in patients with stroke using precise analyses of finger-tip forces, finger, hand and arm movements, and muscle recruitment patterns during natural upper-extremity movements.

Here is a summary of the research discussed in this podcast:
Relationship between forearm pain and postural muscle activation in keyboardists

Musicians, typists, and other individuals whose occupation requires static posture and repetitive or forceful hand or finger movements commonly develop Upper Extremity Overuse Injury, which refers to pain felt primarily in the forearms and shoulders. While a vast amount of research has been done on the biomechanical causes behind overuse injuries, much less is known about the underlying neurophysiological pathology. Dr. Raghavan and her team hope to expand the understanding of neurophysiological pathology by studying playing-related musculoskeletal disorders in keyboardists.

The goal of this study is to first characterize the neurophysiological differences between keyboardists with and without playing related musculoskeletal disorders. Specifically, they will investigate whether reflexes between muscles of the arm and the upper back are altered in individuals with playing related musculoskeletal disorders. The second goal is to compare two common therapeutic approaches to playing related musculoskeletal disorders: one focused on restoring the balance of postural muscles (proximal therapy) and the other focused on treating the site of injury directly (distal therapy), and to investigate whether either type of therapy can effectively restore altered reflex relationships.

Forty keyboardists with and without playing related musculoskeletal disorders will be enrolled. Participants will complete tests to measure their trapezius reflexes, response to biofeedback training of the various divisions of the trapezius, and co-activation index between arm muscles while playing. Next, participants with playing related musculoskeletal disorders will be randomized to receive either four weeks of proximal or distal therapy. At the end of four weeks, participants will repeat the above tests.

Individuals who wish to participate in this study may contact Dr. Raghavan at 212-241-9592 begin_of_the_skype_highlighting              212-241-9592      end_of_the_skype_highlighting or email her at preeti.raghavan (at) mountsinai.org.

August 5, 2009

Dr. Alice Brandfonbrener: Doctor, Researcher


Dr. Brandfonbrener

Dr. Brandfonbrener


Alice Brandfonbrener received her BA from Wellesley College and her MD from Columbia University. She is an Assistant Professor in the Department of Medicine at Feinberg Medical College of Northwestern University as well as Assistant Professor in the Department of Physical Medicine and Rehabilitation. She has as served as Adjunct Assistant Professor at Northwestern Music School. She is the founder of the Medical Program for Performing Artists at the Rehabilitation Institute of Chicago, and served as Editor of the peer reviewed, quarterly journal, Medical Problems of Performing Artists from 1986-2005. From 1971-1977 she was Medical Director of the National Music Camp in Interlochen, Michigan and from 1978-1985 was the physician for the Aspen Music School and Festival. In 1983 she founded the Annual Aspen Symposium on Medical Problems of Musicians and Dancers. She was the first president of the Performing Arts Medicine Association (PAMA). In addition to being a co-author of the text, Performing Arts Medicine, she has contributed chapters to many books including The Handbook of Research on Music Teaching and Learning (Oxford 2002) and The Science and Psychology of Music Performance (Oxford 2002). She has served as a consultant for numerous schools of music and musical performance organizations and lectures frequently to medical and musical groups.

August 5, 2009

Tim Mueller, pianist

Timothy Mueller

Timothy Mueller


Pianist Timothy Mueller and his wife Kimberly moved to Madison, Wisconsin from New York City two years ago, just in time for the birth of their son Aidan. Since then Tim has started a piano studio on the west side of Madison, and has served as music and choir director at Lakeview Lutheran Church on Madison’s north side. Tim has played solo recitals and collaborated in concert with chamber groups, solo instrumentalists and lieder singers in the New York area, Philadelphia, and the Midwest. While in New York he appeared frequently with the Willow Ensemble, at the Trinity Church Concert Series and other venues in New York. As a concerto soloist he has appeared at Chicago’s Symphony Center with the Chicago Civic Orchestra, in Wisconsin with the Milwaukee Civic Orchestra and the Green Bay Symphony, and with the Premiere Ensemble orchestra of New York at Symphony Space.

Tim earned a master’s degree in piano performance at the Eastman School of Music in New York. In addition to a traditional classical training in piano and pedagogy, Tim has integrated alternative approaches to teaching technique and musicianship, through courses in Eurythmics at the Dalcroze School in New York; workshops on the Alexander Technique and Body-Mind Centering; Shambhala meditation training; and workshops on the teaching of natural technique, injury prevention and recovery by Madeline Bruser, author of the book The Art of Practicing. Prior to his move to Madison, Tim operated a successful piano studio in New York City.

Tim’s piano studio website: www.muellerpianostudio.com
See the “Links” page for What Every Pianist Needs to Know About the Body by Thomas Mark and The Perfect Wrong Note by William Westney, mentioned in the podcast.

July 30, 2009

Samantha George, Violinist

samatha-george-headshot Currently Associate Professor of Violin at Lawrence University, Samantha George served as Associate Concertmaster of the Milwaukee Symphony Orchestra from 1999-2008 and as Acting Concertmaster of the Milwaukee Symphony Orchestra for the 2002-2003 season. Her previous posts have included Assistant Concertmaster of the Colorado Symphony, Core Concertmaster of the Hartford Symphony, and Guest Concertmaster appointments with the Charleston Symphony and the Oregon Symphony. She has performed at the Grand Teton Music Festival, Norfolk Chamber Music Festival, Heidelberg Castle Festival, and the Washington Island Music Festival. Dr. George is also a faculty member at the Green Lake Chamber Music Workshop and Wisconsin Lutheran College. She received a high-school diploma from the Interlochen Arts Academy and Bachelor of Music, Master of Music, and Performer’s Certificate degrees from the Eastman School of Music, where she was a graduate teaching assistant for Charles Castleman. She also holds a doctorate in violin performance and music theory from the University of Connecticut.

As a soloist, Dr. George has performed with the Milwaukee Symphony Orchestra, Milwaukee Chamber Orchestra, Raleigh Symphony, Idaho State Civic Symphony, Hartford Symphony, and the United States Coast Guard Band. Recent appearances include solo performances with the Milwaukee Youth Symphony Orchestra, Beloit/Janesville Symphony, and Waukesha Symphony. In 2002, she performed the Bach Concerto for Two Violins with world-famous violinist Hilary Hahn and the Milwaukee Symphony Orchestra. Active as an advocate for greater understanding and appreciation of classical music, Dr. George has hosted two weekly radio programs: “MSO BackStagePass” (WFMR 106.9 Milwaukee) and “MSO Weekly Update” (WMSE 91.7 Milwaukee). In addition, she is a host of the Milwaukee Symphony Orchestra’s “Classical Connections” series, teaches music appreciation courses at the Washington Island Music Festival and hosts a number of pre-concert and post-concert lectures wherever she performs.

Recommended resources from Samantha:

Her article on string players and health on Polyphonic
Lawrence University Conservatory of Music
Stretching by Bob Anderson

June 16, 2009

Madeline Bruser, Piano Teacher



Pianist Madeline Bruser has performed as soloist with the San Francisco and Denver Symphony Orchestras. She has conducted seminars and workshops at the Juilliard School, the Manhattan School of Music, the University of Southern California, the Music Academy of the West, the MedArt World Congress on Arts and Medicine, and college music departments and music teachers’ organizations throughout the United States and Canada. She also appeared on National Public Radio’s “Performance Today” in an interview and piano lesson broadcast in 200 cities.

Ms. Bruser is the author of the highly acclaimed book, The Art of Practicing: A Guide to Making Music from the Heart, which combines musical, meditative, and physiological principles. Her book was published in Korean in 2000 and in Chinese in 2005. She has retrained pianists with practice-related injuries since 1985, and from 2001 to 2003 she served on the Committee for Pianists’ Wellness for the National Conference on Keyboard Pedagogy. Her research on the physiological mechanics of piano playing has included interviews with leading arts medicine professionals specializing in physiatrics, physical therapy, and hand therapy, as well as with teachers of the Alexander Technique, Body-Mind Centering, and Laban Movement Analysis. In 2002 she founded Golden Key Music Institute, a nonprofit organization dedicated to helping musicians unlock their innate talent and fulfill their deepest artistic potential.

Ms. Bruser won First Prize in the Denver Symphony North American Young Artists Competition and was a prizewinner in the First National Chopin Competition. She also received the Alfred Hertz Award for Music from the University of California in two consecutive years. She has appeared in recital at Carnegie Recital Hall and at the Phillips Collection in Washington D.C., and has performed on radio in the U.S. and Europe. She studied with Alexander Libermann, Menahem Pressler, Irwin Freundlich, John Crown, Jeanne Stark-Iochmans, and Paul Hersh. Ms. Bruser graduated from the Juilliard School in 1970 and received a Master of Music degree from the San Francisco Conservatory of Music in 1978.

An authorized meditation instructor, Ms. Bruser leads the annual Meditation for Musicians retreat in Vermont—a weeklong program integrating meditation practice with music workshops applying principles of body mechanics, meditative listening, and relaxation. She also teaches an annual Meditation for Musicians weekend in New York City.

Ms. Bruser teaches piano privately in New York City, on the Upper West Side of Manhattan, where she has served on the Adjunct Piano Faculty at Teachers College, Columbia University.

Recommended resources from Madeline Bruser:

Violin Concepts by Gary Kosloski
Shambhala.org – resources for meditation
Art Of Practicing
Golden Key Music Institute

June 16, 2009

Joseph Arnold, Violinist


Joseph Arnold has been playing violin since he was five years old. He grew up studying classical and fiddle music, and graduated from Carnegie Mellon in 2006 with a BA in Jazz Studies. He has extensive experience playing with many different kinds of groups, including orchestras, small string ensembles, indie rock bands, jazz bands, blues bands, pop bands, a tango band, country bands, folk bands, as well as a far out space rock improvisation group. Two current ensembles include the Hot Club of Philadelphia and Anna Vogelzang.Joseph is not only a freelance musician, but is also a gardener and a massage therapist, and will soon teach the Alexander Technique, a fascinating method of mind-body coordination. He currently lives in Philadelphia, but dreams of someday living in the Pacific North-West.

Joseph’s recommended resources are:
The Alexander Principle by Wilfred Barlow
Indirect Procedures by Pedro de Alcantara

May 13, 2009

OluShola Cole: Improvisation, Movement, and Life



OluShola Cole is a Connecticut based performer, musician and singer/song writer. As a national performer with Broadway’s percussive sensation Stomp and artistic collaborator with various artists, including Harmonious Soul, RubyFruit and Bobby McFerrin, Ms Cole is inspired by music, improvisation, performance and teaching. She has appeared on various national and international talk shows including Otro Rollo and Late Night with Carson Daly, and has made her professional vocal debut at Carnegie Hall. As one of Connecticut’s emerging teaching artists, she has co-opted her belief of Improvisation as Movement and Movement is Life to innovate and successfully teach her Body Vocality! Workshops, which are vocal improvisation and movement classes geared towards exploring creative expression and designed for all levels and abilities. In addition to teaching artistry, Ms. Cole also challenges herself by honing her artistic philosophies in an academic context. She is working towards a Bachelors of General Studies with a Social Science Concentration, with the her personal tools of Music, Improvisation, and Life.

May 13, 2009

Tammy Brackett, music publicist and public relations guru



This interview with Tammy Brackett comes just in time for tour season! Tammy Brackett is the owner of Moonstruck Promotions and provides publicity and public relations services to recording and touring musicians. She was a touring and performing musician for 25 years and has been in the music business as a booking agent, tour manager, publicist and public relations professional since 1995. She is a graduate of the Carolina School of Broadcasting in Charlotte NC, the mom of two very musical sons and the significant other of a very musical man.

Tammy has written four “musician friendly” booklets – 40 pages or less – meant to be read in hotel rooms or in the van. They are:
50 Ways to Tour Without Getting in the Van – innovative tips and marketing ideas to tour your music but not yourself
50 Rules of Rock – one sentence wisdom, insight and philosophy from the world of music
Backstage Pass: Book Your Band and Backstage Pass: Organize Your Band – simple implementable D.I.Y guides
She is currently working on Soundcheck is for Cowards- Questionable Quotes and Wiley Wisdom from the World of Rock.
Check out her website and blog, which feature musicians’ health this month!

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